Oliver's Cinema (2013)

Vloeimans, Florizoone, Komeda, Brinkmann, Morricone, Pieranunzi, van Otterloo

Eric Vloeimans' Oliver's Cinema

I used to think the accordion was a horrible instrument. An ugly, kitschy sound and a repertoire to match, from commercial tripe and oompah to waltzes for the elderly and circus drollery. In short, music to be given a wide berth. But developments never cease, and you suddenly notice that your opinion has changed. After years and years of studying music, mind you. Your taste buds change. It’s just like with buttermilk, olives and tomatoes. As a child you hated them, and now you find you enjoy the taste. After thorough education at the dinner table, by the way. Trying a little bit, time and again.

Incidentally, there are plenty of listeners who feel that mine is a horrible instrument. Loud, shrill, ugly, militaristic. Think of the Brouwer Brothers, Willy Schobben, Marty and all those other guys with their Golden Trumpets, playing Il Silencio and O mein Papa. I used to like that, but not anymore. Yes, taste remains a complex business.

Back to the accordion. During one of my musical wanderings I wound up in the Belgian town of Rijkevorsel. After a concert there I was having a pint at the bar, and in this lovely Belgian atmosphere the accordion question reared its head again. Was there no accordion player to be found in Belgium that would suit me? ‘But certainly’, the response was, ‘you want our Tuur, then!’ An album of his was put on forthwith, and the wonderful improvisations by Tuur Florizoone enchanted me on the spot. An appointment with Tuur was quickly made. One phone call, and it was like meeting my brother. This was the beginning of a new duo, that by now can look back on a long series of successful concerts.

There’s another instrument I’m completely in love with – the cello. A sensual instrument, that can take over the task of a bass, but remains light and svelte. A bowed melody on the cello sounds gorgeous, like on a heavier viola, but still agile and pert. And now I’m not only a fan of the instrument, but also of some  one who plays it magnificently. He knows his classics, plucks like a jazz virtuoso, bows like a prince, and doesn’t shy away from electronics either. He’s from our neighboring country Germany, and his name is Jörg Brinkmann. 

Read more

Eric Vloeimans

Eric Vloeimans (Huizen, 1963) is an improvising trumpeter and composer who regards the term ‘jazz’ as too limiting to describe his music. His work is characterized by melodic and lyrical power, and a distinctive, individual sound that is called velvety or whispering in the more subdued pieces.

Between 1982 and 1988, Vloeimans studied at the Rotterdam Conservatory; classical trumpet at first, later the jazz course. In 1989 he took lessons in the US with Donald Byrd and formed part of the big bands of Frank Foster and Mercer Ellington.

In the early Nineties Vloeimans was regarded as a member of a younger generation of musicians who combine bebop with influences from rock and free improvisation, such as Michie  Borstlap, Benjamin Herman and Yuri Honing. In 1998, the Edison-winning Bitches and Fairy Tales was released, recorded with pianist John Taylor, bassist Marc Johnson and drummer Joey Baron. Taylor is also featured on Umai from 2000. In 2001, Vloeimans won the coveted Boy Edgar Prize, and in 2001 the Bird Award of the North Sea Jazz Festival. The CD’s VoizNoiz 3 (with Michel Banabila, 2003), Summersault (with Fugimundi, 2006) and Gatecrashin’ (with Gatecrash, 2007) were also awarded Edisons. In addition, Eric was recipient of the Elly Ameling Prize as well as the Golden Nutcracker (2011)

From 2006/2007 Eric Vloeimans has been active with two much-praised formations: the chamber jazz trio Fugimundi (Anton Goudsmit guitar, Harmen Fraanje piano) and the electric band Gatecrash, in which rock and funk elements can be traced (Jeroen van Vliet keyboards, Gulli Gudmundsson bass, Jasper van Hulten drums). With the latter group, he employs electronic effects in his trumpet playing for the first time  In addition, he continues to develop other projects, such as the band Oliver’s Cinema with accordion player Tuur Florizoone and cellist Jörg Brinkmann (CD available from August 2013, and a US tour in October 2014) , and a duo with pianist Florian Weber, with a CD release: Live at the Concertgebouw in 2011.

His broad range of interests has led Vloeimans to collaborate with artists from other musical worlds. In the pop music area, these include Fay Lovsky, Doe Maar, Spinvis and trumpeter Kyteman (Colin Benders). Kytecrash, the combination of the latter’s hip-hop band and Gatecrash, resulted in successful performances and a CD in 2011. He will be performing a series of concerts with British classical pianist Joanna MacGregor in the winter of 2013/2014.

Where world music is concerned, Vloeimans was involved in projects with flamenco guitarist Eric Vaarzon Morel, Latin pianist Ramon Valle, and the fado-inspired Pessoa of Fernando Lameirinhas.


Tuur Florizoone

Although in the Low Countries the accordion is often still associated with corniness and banal hi-jinx, in other cultures it has been a fully respected instrument with a great expressive range for many years. Especially in the hands of a composer and improviser with imagination and taste, such as one of Belgium’s most beloved musicians, Tuur Florizoone. This has everything to do with his broad knowledge and interests, his charisma and tangible joy in performing, and his gift for touching the heart of the music as well as that of the listeners. 
Florizoone (1978) has had classical piano lessons and studied jazz piano and composition at the conservatory. He gained some of his practical experience in Brazil, such as at the workshops of the great percussionist Nana Vasconcelos, and by accompanying circus, dance and theatre shows. He collaborated with heavyweights from the worlds of jazz (Philip Catherine, Garrett List), pop music (Stijn Meuris, Thé Lau), classical music (Claron McFadden, the Brussels Philharmonic) and the folk and world music scene (Luka Bloom, Carlos Nuñes). He demonstrated his mastery of mood and atmosphere, based on simple, directly appealing material, in film soundtracks such as Aanrijding in Moscou – which won him the public prize at the WORLD SOUNDTRACK AWARDS 2008 – and L’Amour des Moules. As an improviser, he’s at his best in open situations with a lot of freedom and interaction, like in the group Tricycle, the collective trio Massot/Florizoone/Horbaczewski, and in a duo with diatonic accordionist Didier Laloy. 

Read more

Oliver's Cinema (2013)

Vloeimans, Florizoone, Komeda, Brinkmann, Morricone, Pieranunzi, van Otterloo

Eric Vloeimans' Oliver's Cinema

    De Volkskrant -

The timbre of the cello and accordion contain colors that evoke nostalgic warmth and sadness, but also a fine hint of hope. Together with Vloeimans' long, hot fire trumpet sounds, the cinematic grandeur of Oliver's Cinema is complete.

    Opus Classic

In one word, brilliant.

    Music Frames

The result is thrilling music with a lot in mind. It’s exciting, adventurous and varied.

    Nederlands Dagblad

The accordion adds a distinctive French twist, the cello picks and strikes and Eric Vloeimans' trumpet sounds always beautiful.

    All About Jazz -

Dutch trumpeter Eric Vloeimans isn't afraid to try different things. In fact, he seems to relish the opportunity to work in a variety of settings. Vloeimans has been able to establish a musical personality that's readily identifiable in nearly any context. He's a true original who continues to push boundaries, creating and exploring different worlds through his work. With Oliver's Cinema, Vloeimans finds himself in a chamber-ish space, working intimate, elegant, and refined music into shape with cellist Jorg Brinkmann and accordionist Tuur Florizoone. Together, these three float, fly, dance, soothe, and seduce. They build music around a grounding and surprisingly calming cello ostinato in 17/8 ("Aladdin"), create bouyant and cheery diversions for the mind ("Fellini's Waltz"), work in some lighthearted strains ("L'Amour Des Moules"), and create pictures built around a complex mixture of colors ("Papillon"). And while each number exists in a separate place, all of the music shares certain qualities, chiefly an appreciation for consonance and disdain for musical clutter; nobody's making edgy music or trying to overplay on this one. All three musicians are virtuosos, capable of dazzling at a moment's notice, but this album has little to do with chops and everything to do with mood. Yes, there are those moments when Brinkmann's cello astounds ("Seggiano's Eve"), Florizoone goes for a quick flight or Vloeimans bounds around, but those are byproducts of the conversations and goings-on, not the goal. This music is about charm, not might. The name of the group/record is an anagrammatic rewrite of Vloeimans' own name, but it's also a fitting moniker for this threesome. There's a cinematic sweep to their original music, some of which references famous films in title and tone ("Bambi"), and they take on a few film score classics, replacing the lush qualities of "Cinema Paradiso" with a drowsier sensibility and capturing the heightened sense of drama and uncertainty in "Rosemary's Baby." Is it "Chamber Jazz?" "Music For Real And Imaginary Films?" "Dutch Jazz?" Or is it something else entirely? That's for the marketing forces to decide. On the aural end, it should simply be noted that Eric Vloeimans' Oliver's Cinema creates beautiful and heartfelt music that touches the soul.

Dan Bilawsky[read full review]

    Roots Time

A special album. It is full of atmosphere.

    Keep It Swinging

Oliver's Cinema is an album that surprises the more you listen. It will fascinate a large group of music lovers. Beautiful!


If there is one musician who does not suffer from being boxed in to one musical category or genre it is Jazz trumpet player Eric Vloeimans. Oliver's Cinema is a phenomenally beautiful album where he can be heard in a trio with accordion and cello.

    Turn Around Your Ears

This album was made with a lot of attention and love. There is an atmosphere of tranquility that sometimes borders on silence. It is music with a rich palette of sound and beauty.

    Limburgs Dagblad

Oliver's Cinema shows that musical limits do not exist. And that impossible combinations are indeed possible.


With their brand new album Oliver's Cinema, Eric Vloeimans and company bring the listener nostalgic music that effortlessly brought the full room with them

    HRAudio.net -

So consistent is the quality of work throughout the set, that it can be enjoyed in shorter or longer listening segments; the whole is greater than the sum of its parts. Bert van der Wolf's recorded sound projects the ensemble into your listening room in a close perspective that is appropriate to the intimate mood of the performance, with generous room ambience haloing the instruments. (...) Oliver's Cinema is perfect late-night music, best matched with a Belgian abbey ale—triple, of course.

Mark Werlin[read full review]

Oliver's Cinema (2013)

Vloeimans, Florizoone, Komeda, Brinkmann, Morricone, Pieranunzi, van Otterloo

Eric Vloeimans' Oliver's Cinema

Cables: Siltech Mono Crystal
Digital Converters: dCS
Mastering Engineer: Bert van der Wolf
Mastering Equipment: Avalon Acoustic
Microphones: Sonodore
Producer: Bert van der Wolf
Recording Engineer: Bert van der Wolf
Recording Software: Pyramix, Merging Technologies
Recording Type & Bit Rate: DSD64

Quality & Channel Selection
Select Quality and Channels to calculate the price below More info


  • DXD
  • 64
  • 128
  • 256
  • 512


This album is available as ST+MCH download (Stereo + Multichannel)
All lower DSD rates included with an active NativeDSD Plus subscription. Learn more.
Album Download duration price
ZZ76111: Oliver's Cinema
00:48:40   Select quality & channels above
00:04:30   Select quality & channels above
Prince Henri
00:04:45   Select quality & channels above
Cinema Paradiso
00:04:24   Select quality & channels above
Les Vapes
00:04:04   Select quality & channels above
L'Amour des Moules
00:03:47   Select quality & channels above
00:03:26   Select quality & channels above
Seggiano's Eve
00:01:12   Select quality & channels above
Fellini's Waltz
00:03:53   Select quality & channels above
Slow Motion
00:01:42   Select quality & channels above
Rosemary's Baby
00:05:44   Select quality & channels above
00:04:42   Select quality & channels above
Slow Tango
00:02:29   Select quality & channels above
00:01:50   Select quality & channels above
Rosa Turbinata
van Otterloo
00:02:12   Select quality & channels above

User Reviews

Other albums from this label